 Nicolas Cage is a bonafide movie star, but "The Unbearable Weight of Massive Talent" is proof of his career-long commitment to indie films. By David Ehrlich and Kate Erbland  | | |  Netflix and CNN+ brought the end of Streaming 1.0, when brand expansion, a plus symbol, and a paywall could be called a business model. By Chris Lindahl | |  Patricia Ward Kelly, married to the late, legendary dancer and filmmaker, tells IndieWire he’d find today’s musicals “goin … By Christian Blauvelt | |  There are two major elements at play here: a desire to indulge in nostalgia and a response to current, perceived revolutionary changes in ou … By Kristen Lopez | |  Cinema's darling purveyor of trash is 76! He tells IndieWire about his one-man show "False Negative" and the hilarity of "Pink Flamingos" la … By Ryan Lattanzio | | | | | Four incredibly different Critic's Picks help illuminate the wild range of quality films on offer this week, from "The Northman" to "Petite … By Kate Erbland | | | | | From "Everything Everywhere" to "The Northman," original movies are fighting for the survival of the big-screen experience. By Eric Kohn and Anne Thompson | | | | | The Netflix shortfall is good news for theaters, but the streaming dynamic it created is here to stay. By Tom Brueggemann | | | | | "It’s an extraordinary privilege to see your characters brought to life so compellingly," novelist Luke Jennings wrote, "but the final … By Samantha Bergeson | | | | | First up is Michael Powell and Emeric Pressburger's "I Know Where I'm Going" May 9. By Ryan Lattanzio | | | |
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